Tuesday, January 7, 2020
Essay on Perceptions in Matthew Arnolds Dover Beach
Perceptions in Matthew Arnolds Dover Beach Matthew Arnoldââ¬â¢s ââ¬Å"Dover beachâ⬠describe the way in which perceptions are mislead society. The use of metaphors, symbolisms, allusiveness, technical quantities, and imagery assist the speakerââ¬â¢s thought regards between what is seen and what is real. Dover beach was written during Victorian era. Which brought civilization based on industry, value and money. This is the time which people start questioning the existence of God. The speaker observed the plight of Victorian era. And he sought an answer to the problems which he and world faced with. Arnold express the dejection of lost civilization, anticipate its future, and try to acquire its solution The speaker begins straightway withâ⬠¦show more contentâ⬠¦The appearance of Dover Beach at this time is only of what the human senses can envision. The speakers looks beneath the surface of Dover Beach and unveils the true nature of the sea. When Arnold stops to really listen to the sea, ââ¬Å"he only hears the seaââ¬â¢s melancholy, long, withdrawing roar.â⬠(9). Arnold justifies the theory that things are not always what they appear to be. The world only ââ¬Ëseemsââ¬â¢ to be beautiful, but is ââ¬Ëreallyââ¬â¢ a place of conflict, chaos and dangerous misunderstandings. Imagery is the strongest supporter of the theme. A description of the sea in its states of calmness and roughness are depicted. Sight and sound help intensify other images. The poemsââ¬â¢ strongest feelings are usually expressed by their imagery, though rhythm is also used to convey meaning. Arnold uses the first stanza of the poem to create visual, auditory, and olfactory images that will allow the reader to picture the sea of which the speaker is viewing. Through the use of several poetic Figures of speech, sounds, and irony of words are also used. Line one; ââ¬Å"The Sea is calm tonightâ⬠(1) has a gentle rhythm that can be compared to the ââ¬Å"ebb and flowâ⬠(17) of the sea. With this description one can imagine a beautiful beach with water lapping upon the shore. The second line also gives the image of a calm sea. In the opening stanzas words such as ââ¬Å"gleamsâ⬠(4) and ââ¬Å"glimmeringâ⬠(5) are used, giving a sense of light. In contrast the end ing stanzas use words such asShow MoreRelatedDover Bitch vs. Dover Beach1763 Words à |à 8 Pagesargued about. Everyone seems to have a different perception on what love truly is. These perceptions help categorize what type of person you are when it comes towards love. This can range from being a hopeless romantic to a person who doesnââ¬â¢t even believe that love exists. A perfect example of how the views of love can be drastically different can be illustrated by these two poems; ââ¬Å"Dover Beachâ⬠and ââ¬Å"Dover Bitchâ⬠. ââ¬Å"Dover Beachâ⬠, was written by Matthew Arnold in the 19th century. The love Arnold speaksRead MoreDover Beach Theme Imagery and Sound1431 Words à |à 6 PagesIn Dover Beach, Matthew Arnold creates a monologue that shows how perceptions can be misleading. The theme of illusion versus reality in Dover Beach reflects the speakers awareness of the incompatibility between what is perceived and what truly is real. Arnold conveys the theme of Dover Beach through three essential developments. First, he uses visual imagery. Second, he uses sound (aural) imagery. Third, he uses rhythm and metric. These mechanics alone do not explain why illusion and realityRead More Comparing Dover Beach and Love Song of J. Alfred Prufrock Essays1556 Words à |à 7 Pages A Comparison of the Victorian and Modernist Perceptions as Exemplified by Dover Beach and The Love Song of J. Alfred Prufrock à Matthew Arnold and T.S. Eliot, in their respective poems, share a sense of alienation, not only from other people but from nature and God as well. Arnold is writing in an age when the place of man in the universe is coming into question, for the first time since the advent of Christianity. He can no longer take the same solace in nature and the love of God that his
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